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The other highlight is the final fight cue "Stand By Your Man" which begins with a female vocalist underscored by low brass and segueing into Hellboy's theme blasted out on the horn with marching percussion moving along behind and ending with the heroic theme in its best, though brief, performance on the album.īeltrami does not, however, provide a rehash of past heroic scores for Hellboy. However, the quieter themes are the highlights of the album, specifically Professor Broom's theme, which received a glorious performance in "Father's Funeral", easily the best track on the album. The heroic theme is a modified rendition of Hellboy's theme, both of which bring out the power and fearlessness of the character. The five themes in the score, as identified by his website - Hellboy's, Hellboy and Liz Sherman's love theme, Abe Sapien's, Professor Broom's, and the Hellboy heroic theme - are all strong and fit the appropriate characters well. Nevertheless, Hellboy is a solid album and one of Beltrami's best works to date. I was looking forward to hearing the action theme (the last one in the suite) in the score as I remembered from the film, but it is hardly presented on the album. Beltrami's website has some sample MP3s from the score, one being a suite of the five themes in the film. However, this theme only appears twice on the album and never in full ("Meet Hellboy" and "Stand By Your Man"). I distinctly remember, when watching Hellboy, Beltrami's music had a very strong presence in the film, with the heroic theme for Hellboy making many thrilling appearances. Beltrami's latest score for Guillermo del Toro's Hellboy takes his dark approach in a new direction with bold, heroic themes and varied soundscapes to reflect different characters.
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His scores have typically featured a mix of percussion, vocals, and clashing orchestration. Marco Beltrami made a name for himself with horror scores ( Scream, The Crow: Salvation, Dracula 2000) and has recently taken on some dark hero films ( Blade II, T3).